Zero buttons. That's as minimalist as it gets.
Removing all buttons—or to clarify, moving them to the headset—shrinks down the size of the new iPod Shuffle dramatically, but it also creates control problems when running, snowboarding or doing anything other than sitting.
Design
This new iPod shuffle is about half the volume of the previous iPod shuffle. HALF. By moving all the controls from the face onto the headphone cable, Apple was able to reduce the width and thickness to almost 50%, even if the length grew slightly. This wasn't totally sensible: Although the headphones do offer a comprehensive control scheme, the button position on the headphone cord becomes really difficult to use unless you're sitting still. It also limits your choice of headphones to the ones Apple gives you, or new shuffle-specific ones made by other manufacturers.
But there's one point where this shuffle beats the hell out of the previous shuffle, and that's the audio feedback interface. Apple calls this UI, which speaks to you, VoiceOver. It's a set of text-to-speech files transparently associated to each track on your iPod that will speak the title and artist of your current song. Hold the button down long enough, and the voice will cycle through all your playlists, one by one, reading the names. Hit it again to jump directly to that playlist.
The player itself is also fine, even if the blank, monolithic face takes a while to get used to (and stop reaching for when you want to change tracks). Yes, it only comes in black and silver, instead of the whimsical shuffle/nano palette we're used to.
Its front and back are made of aluminum. And just like the nano (and the previous generation shuffle), the edges are a little too sharp. The clip is made out of stainless steel, like the back of the iPod touch and older generation nanos, so it attracts fingerprints and gets scratched up incredibly easily. The front, luckily, does not have this problem.
The package comes with headphones and a three-inch USB connector. Apple's tendency to remove stuff from the iPod package continues with the removal of the free dock; which is a shame, since you'll instead be leaving this strewn about your desk, and because it's so damn tiny, you'll have probably have a hard time finding it again.
Syncing and Playback
The entire iTunes sync screen is improved. There's now support for podcasts and playlist syncing. Yeah, you don't have to use autofill or manually drag tracks and playlists over one by one, because you can now jump between playlists using the VoiceOver feedback system.
These voices, which are generated and synced on the fly when you choose playlists, sound pretty great, assuming you have Mac OS X Leopard. Those who do will get to take advantage of "Alex", the newer text-to-speech voice shipped in the OS. If you're on Windows, or if you ever want to use the 13 languages other than English, you'll default to the VoiceOverKit downloadable pack that comes with iTunes 8.1. Even the supposedly lousier TTS agent works decently enough, because these are your songs and you should be able to at least guesstimate what artist/track it is. But Alex prounounces stuff like "Yeah Yeah Yeahs" and "Jamiroquai" correctly, whereas the other one (a lady's voice) doesn't.
Voice data is fairly small, with 400MB worth of songs only taking up about 20MB of voice track data. That's going to be about 175MB of voice data if you fill up all 3.5GB of usable space.
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